
sedyyfilms Shot entirely on the Galaxy S26. @samsung

Eduard creates cinematic travel and lifestyle visuals that fully immerse audiences into his world. His content evokes emotion, showcases an aspirational lifestyle, and consistently resonates at scale, built on a foundation of authentic storytelling and a filmmaker's eye for every frame. His work has reached over 700M views to date and earned the trust of some of the world's most recognisable brands.
I was born in Chișinău, Moldova, and I had a regular life. School, playing outside with my friends, and growing up speaking Romanian, Russian and English. I was around eight years old when I filmed my first few YouTube videos.
At ten my family and I moved to Budapest, and about a year later I started posting gaming content on YouTube every day. It never grew much, but I learned how to make a video, how to edit, and what my own style was. The bigger thing I took from it is that I stopped being afraid to try something new.
At around thirteen I started taking gaming content seriously and streamed on Twitch every day. That ran for about three years and it was where I first got a taste of growing an audience and made my first income online. It is also where Sedyy was born. My first videos went viral and I had a real community for the first time. Gaming was never going to be the career, but it taught me how to build an audience, how to stay consistent, and what makes somebody come back.
Around the same years as the streaming I started producing and releasing music, mostly lo-fi and ambient. I gave tracks to my creator friends for their videos and their streams, and I used them in my own content too. Over three or four years that became about a hundred songs across albums and EPs on every platform, with a few hundred thousand streams behind them. I made a lot of content trying to promote all of it, and that is where I learned content creation outside of gaming.
At eighteen, after graduating, I moved to the Netherlands in August 2023 to study at one of the best business schools in the world. I was still doing music, still making content, still trying to build something of my own. After one semester I dropped out, because I could not imagine my life if I carried on studying towards a career I did not want. I had nothing going for me except a dream and a calling to do something of my own. The purpose was simple. Create to inspire.
That same year, on 24 December 2023, I started @sedyyfilms as a new way to promote my music by filming beautiful visuals. Over time I stopped making music and kept making videos of my travels and my life. I filmed a lot of sunsets, skylines, and things I found beautiful. For months I sat at about seventy followers, and it took roughly eleven months to reach a thousand. I kept taking client work for free or very cheap to get better and to earn even a few hundred euros a month. I lived cheaply and put the money into production quality and the next trip.
Exactly eleven months into @sedyyfilms, on the day I hit a thousand followers, I flew to New York City for the first time. Visiting New York had always been the dream, and I knew it would be the place where something in my career took off. My family helped cover part of the trip for my upcoming birthday to make it happen. Once I got there I created so much that it covered forty-five days of continuous posting. On the fourth day of posting two videos a day, one of my videos finally went viral. A hundred thousand views overnight, a million inside forty-eight hours, and over ten thousand new followers on TikTok in twenty-four hours. I knew that was the video I needed to snowball my career.
After all the effort that led up to that video, the only thing left was to push even harder once I had my chance. I posted every day for months and started growing a huge audience, hitting a hundred thousand on Instagram just three months after my first thousand. I connected with the people who inspired me most and who I had watched for years. My dreams finally started coming true. I travelled all around the world, made the best content I had ever made, and saw everything I ever wished to see.
I started to see the global influence I was having when my video formats turned into trends, with experienced and aspiring creators alike making videos the same way, the way that built Sedyy into what it is today. With over 500 million people reached worldwide across every platform and partnerships with some of the biggest brands in the world, including Samsung, Sony, Disney, Universal, DJI and Insta360, I can confidently say I have achieved the dream. I see all of this as the beginning of something far bigger. I am branching out into new business ventures and I am still growing Sedyy into more than it is today.
Every golden point is a place that ended up on the feed. Spin it, zoom it, tap a point to see the film.
Partnerships with some of the largest brands in the world, shot all over the world in the same cinematic style.
A paid campaign for the Galaxy S26, built around Samsung’s new Horizontal Lock feature. Not a demo. The feature sits inside a fully cinematic piece, shown in use through story-first, face-forward filmmaking.
The DJI Osmo 360 launch, captured as a single-take 360 story built to show the camera in real use, out shooting at golden hour. One tap, the whole scene.
The Insta360 Ace Pro 2 launch, shot as a cinematic low-light travel piece rather than a spec demo. That format carried it past half a million views on TikTok.
The Antigravity A1 flown at sunrise over Budapest, shot as a morning film instead of a product demo. The first 360 drone, shown doing the thing people actually want it for.
Sponsored storytelling for Wondershare’s creative software, Repairit and Recoverit. Two briefs that could easily have been screen-recorded tutorials, told instead as real moments from my own workflow.
Across the two posts, 115K+ views on Instagram and close to 100K more on TikTok, for a software tool. That is the point of the format. The product sits inside a story people already want to watch.
A partnership with RentFYV, built as a late-night drive through Los Angeles instead of a car ad. Face-forward POV from behind the wheel, cut so it plays like something you would watch anyway and not like an advert. 1.5M views on Instagram and another 1M on TikTok.
Personal work, not a campaign. A convertible night drive through Paris, past the Eiffel Tower and along the Seine, shot in the same format I would bring to a brand. 774K views on Instagram and 275K more on TikTok.
Two unsponsored drives from the same Swiss trip. An evening run out to the lake, and a golden-hour roadtrip through the Alps. 366K and 657K views on Instagram, with no brand behind either.
Carousels from some of my favorite trips. Unposed, personal, and the format my audience saves and returns to most.

sedyyfilms that one switzerland roadtrip

sedyyfilms LA season

sedyyfilms nights in paris
A paid campaign with Klook across two trips, shot as time spent in a place rather than a booking advert. An evening in Rome by the river, and a Swiss travel pass turned into a day out to Lucerne. The trip itself does the selling.
An ongoing partnership across New York, Paris and London, built around what it actually feels like to be at home in a Blueground property.
A dedicated hotel campaign for one of Barcelona’s landmark luxury properties. Light, architecture and the Mediterranean at dusk.
Not a campaign. A lakeside property filmed at golden hour with the windows open onto the water, shot exactly the way a paid hotel piece would be. This is what a property looks like in the format before anyone has paid for it.
Both of these are organic, shot and posted on my own feed from the same New York apartment I had already made a campaign in for Blueground.
One is a simple lifestyle reel. The other is an Instagram lifestyle carousel from the same stay. Neither was briefed or paid for, and the reel still went further than anything else in this section. A brand booking one stay gets all three formats out of it, the cinematic film, the reel, and the set of images.
20M+ views across Instagram and TikTok
sedyyfilms Manhattan golden hour.

sedyyfilms cold season in nyc
Who is watching, why the format works, and exactly what a campaign delivers.






















That is intent, and intent shows up in the two things nobody does by accident. Saving something to come back to, and handing it to somebody else. It is the part of the result that keeps working long after the day a post goes up.
Measured across 155 Instagram posts from the last nine months, as a share of total engagement rather than views, and 81% of that audience is aged 18 to 34. The same videos also run to a separate TikTok audience, so the real totals land well above these.
Full audience breakdown and media kit on request contact@sedyy.com
My content opens on me, not the view, and my audience knows my face and trusts my taste. So when something appears in my frame, the comments fill with people asking what it is and where to find it.
Every piece is colour-graded, sound-designed, and paced for emotion, so it plays as content first and advert second, and sponsored work sits on my grid without breaking it.
That is likes, comments, saves and shares measured against the reach of each post, and half of everything I put out does better than it. These are not passive followers. They save, share, and DM asking "where is this?" and "what did you shoot this on?" within hours of a post going live.
Everything I post is built on story, cinematography and the feeling of actually being there, because that is what my audience stays for and why they trust what I show them. That trust is what a brand steps into when we work together.
For automotive, hotel, travel, tech, and lifestyle brands. One trip, one stay or one brief becomes a full cinematic content package, shot and cut entirely by me, posted to a 1M+ audience and licensed back to you for your own channels.
Fully produced, face-forward cinematic posts, cross-posted to Instagram and TikTok. Each one is built out of the trip, the stay, or the product in real use rather than shot around it. The scope can run up to 10 or more posts per campaign.
Posted to 1M+ AudienceCurated multi-image posts that carry the full aesthetic of the campaign. These are the posts my audience saves and returns to most, and your brand sits inside the story instead of being the subject of an advert. A campaign can run up to four or five of them.
Posted to 275K+ InstagramThe highlight moments delivered live while the shoot is still happening, each Story tagging your brand. Stories reach the part of my audience that watches closest, and they land while the campaign is still running.
Posted to 275K+ InstagramShort cinematic frames from the most beautiful scenes captured, delivered in full resolution and licensed for your own channels, so the campaign keeps earning after my feed has moved on. Usage rights run 30 days paid and one year organic, both extendable.
Yours to Keep & RunOne email or one call. Whichever suits you. We agree the destination, the property or the product, the window, and how long the first campaign should run.
You hand over the access. The stay, the car, the gear or the location. From there the route, the locations and the shooting days are mine to plan.
I shoot it. Stories run live across those days, so the campaign is already working while I am still shooting.
Every video comes to you before anything is posted. Once they are signed off they go out on the agreed schedule.
The numbers come back to you. Every post reports out of my own analytics, so you see exactly what the campaign did.
Both rooms are open and free to join. For anything brand related, email is still the fastest way to reach me.